A British Library card is one of my most treasured possessions and I use it as often as I can. First readings of real treasures were taken there. Rare books like Triffeny, Dorita Fairlie Bruce's appealing tale of an ambitious young girl working in the family pottery. Also, Richmal Crompton. Now, I'm not a fan of William Brown, but I have enjoyed the adult fiction I've been able to read. Much of it is scarce and expensive, pity. Persephone reprinted Family Roundabout, though I preferred The Ridleys. I'm fascinated by books like these, not for the quality of the writing, but for the social history. English small town life at its most insular and curious. It's a fantastic contradiction that makes for very interesting fiction, though living in a pretty petty-minded goldfish bowl must have been stifling. All terribly period 1950s with a distrust of newcomers and closely-guarded secrets.
Today must be a day to return to marketing my book and chasing up the rights to the new titles I'd like to republish. I'm also doing all I can to get The Whicharts into high street bookshops and must contact more independent bookshops as a fair few have been terribly helpful and agreed to stock it. I've already updated my website to show that I have two shops (Amazon and the Margin Notes Books one) and can take orders via either. I'm also still arguing with the display as my website is written to display in Garamond (like layout of The Whicharts), but the site prefers to choose its own fonts at different times. Never mind, new content is there and I can hope that new buyers also find their way.
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